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Rachel Weisz stars as the unnamed fiftysomething creative writing professor at the heart of Vladimir. After 30 years of teaching at the same liberal arts college, she's come to a terrifying realization: She has "lost the ability to captivate." (Weisz, on the other hand, is captivating as ever.) Her students consider her out-of-touch. Her husband John (John Slattery), a fellow professor, is constantly seeing other women as part of an open-marriage arrangement that only he takes advantage of. He's also under investigation for prior affairs with students, putting his marriage under a microscope. (As part of the arrangement, Vladimir's protagonist was aware of these dalliances, and she doesn't understand how a consensual affair could be wrong.)
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It’s worth highlighting that “self-contained” doesn’t mean “isolated”. It’s desirable for a module to collaborate with other modules, but the communication should represent business processes interacting with each other (or a process with subprocesses).